Gallery
To see larger versions of any image, please click on the image. A
lot more feel can be gotten for the art by stopping by the school, or order the
instructional videos.
Warning: This page contains many images and is slow
loading on most connections.
Postures
 |
Probably fitting to start with someone else's image. Because of poor film choice and a
lack of the ability to put a filter on my cheap-o camera, I could not manage anything like
the beauty of this image. You can really get a feel for some of the very low postures
used in many of the Chinese martial-arts. |

 |
Here is that camera in action. Sifu posed for about four shots like these, but these
were the most interesting to me. |
Sequence
The next several images were taken in sequence (some have been omitted for
brevity).
 |
This position was a half-second into the attack. Our volunteer had selected an
upper-body/head punch as hi attack of choice, you can see the punching hand nestled in
Sifu's right shoulder. There are a couple of things going on here: Jeff's elbow is being
held down by Sifu's left hand, preventing Jeff's arm from rotating. Sifu's right arm is
providing a brace for Jeff's arm and his right hand is helping extend Jeff's shoulder.
Sifu's right leg serves as much for control as for the kick that got it there, and (hard
to see) Sifu's left leg is going into Jeff's, further taking him off balance. |
 |
The progression from that lest image should be reasonably evident. Sifu has sunk down,
the leveraging of Jeff by his arm, combined with his already off-balance position has left
Jeff with his face powered into the ground (as if falling wasn't bad enough). The
situation of Jeff's arm may not be fully apparent, Sifu's left knee is against Jeff's
elbow, giving a fulcrum for the arm to be twisted (as you can see) causing some nasty
discomfort on Jeff's shoulder. This also leaves Sifu's left knee and foot with easy access
to Jeff's head. |
 |
Hal has chose to come to Jeff's aid. By this time, Sifu has stepped over Jeff's head
and it is now trapped between Sifu's left foot and right knee. Though we cannot see,
Jeff's leg is also trapped, preventing him from rotating to relieve pressure on his neck. |
 |
Hal has chosen a jab or straight punch to the head, these don't take too much lateral
pressure to avoid. |
 |
Sifu still has Jeff's hand, and head. He is now pulling in Hal. |
 |
Now that he is close enough |
 |
Ouch. Jeff still has his head and arm pinned. He cannot rotate out because Hal is in
the way. Hal still hasn't had a chance to recover from his punch and being pulled down
afterwards. |
 |
Using Hal's arm as a fulcrum, Hal's head is rotated around.... |
 |
...and into the ground. Sifu has also scooted forward. His knee is on Hal's neck. I
cannot see how he still has Jeff's head pinned, but it is probably between his other knee
and Hal. |
 |
Here Sifu adds Hal's arm to his collection. |
 |
Jeff is now held only by his twisted/extended arm and his position. Sifu has come
forward and locked Hal's head in place between his feet. He also has Hal's arm extended
and twisted. Jeff may be able to get out (possible dislocating his shoulder) but Hal is
stuck. |
Images from the school
These images are not in any sequence. I have separated them into
single and multiple attacker. These do not flow from one position to another.
 |
Here Sifu illustrates a simple elbow destruction. Jeff has punched at Sifu's head and
Sifu has brought up his elbow (a "bone shield"). Typically the student is taught
to join with the punch before attempting the elbow destruction, to insure connecting, but
it is surprisingly easy to learn to connect without joining first. |
 |
A different response to a jab or close hook. Sifu slapped he punch with his left hand
before slapping it again with his right. This added to Jeff's forward momentum and Sifu
also pushed down. |
 |
Similar lead-in. But instead of bringing his right hand down on Jeff's arm, Sifu
stepped forward and has started a simple Basset. Notice Sifu's right leg is pushing Jeff's
leg toward the wall while his hand is pushing Jeff's head away from it. It is also worth
noting that Sifu has rotated Jeff's head, giving him better control. |
 |
Though this isn't, this could be gotten to from the previous picture. I think this is
mostly self-evident. |
 |
Straight forward and typical of this style. There is an elbow break here (against the
leg), A knee hit o the face, and a nasty stomp to Jeff's knee or foot. |
 |
A classic position; Jeff's neck, shoulder, and elbow are all extended. Sifu has
trapped his foot and is ready to stomp the foot (preferably rotating it in the process to
break the ankle or knee. |
 |
|
 |
|
 |
Sifu has turned both partners into tables. Notice how Jeff is used to compound Hal's
predicament. Also note that Sifu still has mobility to defend another attacker or
disengage. Silat grappling avoids entangling yourself, that would make you a target for a
second or third attacker. |
Some Older Images
Here are some images from a few years back of Sifu and one of his senior
students.
|
 |
This is a picture from the 1995 trip to China. Sigung Clear and several
students from the school traveled to China for a few weeks training. |
 |
"The man and woman are husband and wife. His name is Pei Xi Rong. He
is one of the 5 senior Wu Tang Mountain stylists publicly teaching in
China. This picture is in Shanghai. I learned Wu Tang Chi Kung from them
in 1995. I also learned some Wu Tang Ba Gua and Hsing-I from him. " -
Sigung Clear |
 |
William DeThouars, Richard Clear, and students at a 2006 seminar held at the Maryville school. |
 |
William DeThouars, Richard Clear, and a senior student of each. From a
1998 seminar held at the Tampa school. |
 
 |
Sigung Clear and Pendekar Herman Suwanda. |
 
  |
Several pictures with Vladimir Vasiliev and Mikhail Ryabko, senior
instructors in the martial art of Systema. |
 |
Don Miller, Richard Clear, one of Sigung Clear's students. From a
1997(?) seminar at the Tampa school. |
  |
Sigung Richard Clear, Cikgu Sulaiman Sharif, and Cikgu Majid. The group
photo includes many of Sigung Clear's students, from a seminar at the Tampa
School. |
 |
Sigung Richard Clear and Guro Dan Inosanto |
 |
Sigung Richard Clear with Master Guy Savelli of Huc Chung Kuntao. |
|